![]() ![]() This might sound weird, but audiences don’t make me nervous at all. In the past competitions were pretty strict on what you could and could not play from a program balance standpoint, but these days free repertoire selection is becoming increasingly common. There is no one size fits all when it comes to repertoire selections. Also when it comes to looking at the repertoire lists of past competitors and audition lists choose wisely. Don’t play Mozart if you hate it that Haydn Sonata would fit the bill nicely. The other issue with repertoire selection is picking pieces that you connect with. If there’s a really difficult piece in your program then make sure to surround it with pieces that you can really own. I would select high level works that can stand their own competitively, but that you also feel good about performing. Instead juries are interested in how well you’ve mastered your repertoire.Ĭhoose solid repertoire that you’re 100% comfortable with and grow from there. Contrary to popular belief, most juries are not concerned with someone who plays the most flamboyant showpiece. Those pianists usually crash and burn from music overload and never getting a full artistic (or technical) grip on the works. I’ve seen many pianists enter various competitions and auditions trying to play the most difficult thing they can. The amount of performance anxiety you’ll get by default is one thing, so to combine that with frantic last-minute preparation is a bad recipe. This gives you enough time to chart out what repertoire you want to perform and put together a solid game plan to learn it and master it. If it’s for a competition then there’s no excuses for having memory slips because of poor preparation.īecause of this I recommend choosing your auditions and various competitions a year in advance. If it’s for a music school obviously you want to know your piano repertoire inside out. It’s advisable to prepare weeks, months and even up to a year out depending on the difficulty of the audition. ![]() Then I would walk into the lesson kind of nervous because I didn’t know how things would unfold.Īuditions have a similar aura of uncertainty when you prepare too late too. The day before each weekly lesson I would find myself scrambling though. Some days I would do 1 hour, and other days I would maybe do 20 minutes. The problem was that I was never consistent with it. I worked hard and really enjoyed the whole idea of practice. Interested in quality digital pianos for easy learning? You can find them by clicking here#ad Prepare Early After having plenty of success with auditions (and some failures) I’ve kind of developed a system that I go to anytime I have one coming up. Choosing the right repertoire is also another thing musicians have to consider too. I’ve had my fair share of piano auditions over the years and surely the toughest element is dealing with performance anxiety. Long story short, I passed the audition but it wasn’t easy! ![]() As I walked up to the Steinway grand I remember seeing the faculty sitting in the dark. My fingers were trembling as the doors to the recital hall opened. I was all dressed up in my black suit and had a fresh haircut. In fact I can remember my first college audition and just how nervous I was. They can open doors to performance careers, help pianists secure scholarships, and of course get into school for more study. Music auditions are important for a number of reasons too. As an Amazon Associate I earn from qualifying purchases.Īs a serious pianist there is nothing more rewarding than passing a music audition. ![]()
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